Blossoms and fruits at once
Starting from the Winogradsky column, a late XIX century
positivist experiment that recreates the first stages
of bacterial life on earth, Blossoms and fruits at once
is a work that critically reflects on the human desire
to go back to a primordial moment of existence,
connecting local histories, geological temporalities, oral
narratives and magical thought. The aspiration to go back
to an alleged stage where nature nurtures humans
without effort and fatigues, where blossoms and fruits
grow simultaneously breaking the progression
of seasons, has always been a very dangerous myth
in which women, together with all the marginalised people
inscribed in the category of ‘natural’, have had to pay
a very high price.
16mm film transferred to Full HD , 5’ 30’’
Installation view of Blossoms and fruits at once, 2019-21, 300x300x400 cm, 16mm film transferred to Full HD, 5’ 30’’, at Sonnenstube, Lugano, in 2023
photo documentation by Mattia Angelini
16mm film transferred to Full HD , 5’ 30’’
Winogradsky panel: soil of the badlands of Aliano, marble powder and water from the caves of Carrara,
sand and three cuttlebones from the white beaches of Rosignano Solvay, sulfur deposit from Vulcano
in the namesake island, rocks and basalt from Crateri Silvestri of Etna, sulfur powder extracted in Trabonella
mine, Caltanisetta, 73 pages of John Milton’s “Paradise Lost”
Studio photo documentation by Mattia Angelini
additional photo by Marco Quadri
installation view at Art au Centre, Liege, 2021